Exclusive Representation in Poland, Russia, Hungary, Estonia, Latvia, Lithuania, Czech Republic

© Zsofia Raffay


Hungarian mezzo-soprano, Dorottya Láng, completed her studies at the Universität für Musik und darstellende Kunst in Vienna under the tutelage of professor Claudia Visca. She is a winner of numerous competitions including: Prize Winner of the 2012 Emmerich Smola Competition, Third Prize at the 2011 Wigmore Hall/Kohn Foundation Song Competition and Prize Winner at the 2013 Mozart Academie competition in Aix-en-Provence.

Still as a student she became an ensemble member of the Vienna Volksoper. In the 2014/2015 season she was a soloist of the Nationaltheater Mannheim, where she has performed such parts as Marguerite in La damnation de Faust, Lola in Cavalleria rusticana, Hänsel in Hänsel und Gretel or Smeraldine in The Love for Three Oranges. From the 2017/2018 season she became a soloist of the Staatsoper Hamburg, where she has appeared in such roles as Angelina in La Cenerentola, Hermia in A Midsummer Night’s Dream, Vavara in Káťa Kabanová, Dorabella in Cosi fan tutte, Flora in La traviata, and Cherubino in Le nozze di Figaro.

In the 2018/2019 season Dorottya Láng has returned to the Hamburgische Staatsoper as a guest soloist for the roles of Minerva in Il Ritorno d’Ulisse in Patria and Hannah A. in Benjamin. She has also appeared at the Wiener Konzerthaus to perform L.v. Beethoven’s  Symphony no. 9 with the Wiener Symphoniker under the baton of Andrés Orozco-Estrada and a song recital with Julius Drake. At the Stichting Omroep Muziek in Utrecht she has performed Szenen aus Goethes Faust and she has debuted at the Hugo Wolf Academy with a Loewe song recital with Milan Siljanov. She has also appeared at the Oxford Lieder Festival with Julius Drake and Sholto Kynoch. The artist’s engagements for the 2019/2020 season include the part of Judith in concert performances of Bluebeard’s Castle at the Tonhalle Düsseldorf under the baton of Ádám Fischer, J. Brahmses Liebeslieder Walzer at Musikverein in Vienna and the part of Meg Page in Falstaff at the Bayerische Staatsoper.

Ms Láng is also often performing on concert stages. She has given recitals at the Wiener Konzerthaus with Matthias Lademann and is a regular guest at the Oxford Lieder Festival with Julius Drake. In 2016 she made her Schubertiade debut with Helmut Deutsch and in 2015 she made her Wigmore Hall debut as part of the Rosenblatt Recital series again with Helmut Deutsch. Her concert appearances include R. Schumann’s Requiem für Mignon with Radio-Symphonieorchester Vienna at Wiener Konzerthaus under Cornelius Meister, Romeo Castellucci’s staged performance of St Matthew’s Passion at Hamburgische Staatsoper conducted by Kent Nagano as well as the second mezzo-soprano part in G. Mahler’s Symphony No. 8 again under Kent Nagano at the Elbphilharmonie in Hamburg.

Updated June 2019
∗ This biography can be edited only by Studio Kultura


Opera Repertoire

H. Berlioz, La damnation de Faust, Marguerite
B. Britten, A Midsummer Night’s Dream, Hermia
B. Britten, Albert Herring, Nancy
B. Bartók, Bluebeard’s Castle, Judit
G.F. Händel, Almira, Bellante
E. Humperdinck, Hänsel und Gretel, Hänsel
L. Janáček, Káťa Kabanová, Varvara
A. Lortzing, Der Wildschütz, Nanette
P. Mascagni, Cavalleria rusticana, Lola
C. Monteverdi, Il ritorno d’Ulisse in patria, Minerva
W.A. Mozart, Die Zauberflöte, Zweite Dame
W.A. Mozart, Cosi fan tutte, Dorabella
W.A. Mozart, Le nozze di Figaro, Cherubino
S. Prokofiev, The Love for Three Oranges, Smeraldine
H. Purcell, Dido and Aeneas, Dido

G. Rossini, La Cenerentola, Angelina
P. Ruzicka, Benjamin, Hannah A
J. Strauss, Die Fledermaus, Prinz Orlofsky
R. Strauss, Daphne, 2. Magd
R. Strauss, Elektra, 2. Magd
R. Strauss, Salome, Page der Herodias
R. Strauss, Der Rosenkavalier, Octavian
G. Verdi, La traviata, Flora
G. Verdi, Stiffelio, Dorotea
R. Wagner, Parsifal, I/3 Blumenmädchen
R. Wagner, Das Rheingold, Wellgunde
R. Wagner, Die Walküre, Rossweiße

Oratorio Repertoire

J.S. Bach, Mattheus Passion, Johannes Passion, Weihnachtsoratorium
L.v. Beethoven, Symphony No. 9Missa solemnis, Mass in C major
H. Berlioz, Les nuit d’etes
A. Bruckner, Te Deum
G. Fauré, La Bonne Chanson

P. Hindemith, Mörder, Hoffnung der Frauen, Zweites Mädchen
L. Janáček, Diary of One Who Disappeared
F. Mendelssohn, Elias
G. Mahler, Symphony No. 8 „Sinfonie der Tausend“, Maria aegyptica
W.A. Mozart, Requiem, Ch’io mi scordi di te?… Non temer, amato bene, K. 505