Polish countertenor, Michał Sławecki, is an exceptional artist, whose rich voice is filled with expression and sensuality.
Michał Sławecki, Polish countertenor, is a graduate of Vocal Department at the Fryderyk Chopin Music University in Warsaw under the tutelage of Professor Artur Stefanowicz. Already as a student, Michał Sławecki made his debut at the Castle Opera in Szczecin as Prince Orlofsky in J. Strauss’s Die Fledermaus.
His broad repertuar covers various periods, from baroque to modern compositions. He appeared on stage performing the parts of: the First Witch in H. Purcell’s Dido and Aeneas, Sesto in G. F. Händel’s Giulio Cesare in Egitto, Nerone in C. Monteverdi’s L’incoronazione di Poppea, Nerone in G. F. Händel’s Agrippina, the title role in G. F. Händel’s Rinaldo, Cherubino in W. A. Mozart’s Le nozze di Figaro, title role in S. Kupczak’s Voyager.
In the 2017/2018 season Mr. Sławecki debuted in the part of Stefano in Ch. Gounod’s Romeo et Juliette at the Silesian Opera in Bytom. He also came back as Prince Orlofsky in Die Fledermaus to the Castle Opera in Szczecin.
His debuts in the 2018/2019 season include the part of the Horse-Sailor at the Grand Theatre in Łódź in a world premiere of an opera composed by the laureate of the International Opera Composition Competition The Man from Manufaktura – Rafał Janiak.
The artist is known for his contemporary music interpretations and cooperates with prominent Polish composers: Paweł Mykietyn, Bartek Chajdecki, Maciej Zieliński and Andrzej Zarycki amongst others. Michał Sławecki sung at such venues as the National Philharmonic in Warsaw, Philharmonics in Szczecin, Gdańsk and Bydgoszcz, Silesian Opera in Bytom, Polish National Opera, Opera Nova in Bydgoszcz, Castle Opera in Szczecin, Manoel Theatre in Malta and performed with concert repertoire in Lithuania, Latvia, Malta, Italy, France, Germany, Greece, Austria, South Africa, Serbia and Kazakhstan.
Updated March 2019
∗ This biography can be edited only by Studio Kultura
Ch. W. Gluck, Orfeo ed Euridice, Orfeo, Amor
Ch. Gounod, Romeo et Juliette, Stephane
G. F. Händel, Agrippina, Nerone, Ottone
G. F. Händel, Alcina, Ruggiero
G. F. Händel, Giulio Cesare in Egitto, Sextus
G. F. Händel, Rinaldo, Rinaldo
S. Kupczak, Voyager, Voyager
C. Monteverdi, L’incoronazione di Poppea, Nerone
W. A. Mozart, Le nozze di Figaro, Cherubino
O. Neuwirth, Lost Highway, Andy
J. Strauss, Die Fledermaus, Prince Orlofsky
A. Zubel, Oresteja, Apollo
J. S. Bach, Johannes-Passion
J. S. Bach, Magnificat
J. S. Bach, Matthäus-Passion
G. F. Händel, Messiah
G. Orff, Carmina Burana
G. B. Pergolesi, Stabat Mater
A. Scarlatti, Stabat Mater
A. Vivaldi, Gloria
A. Vivaldi, Gloria e Imeneo
A. Vivaldi, Stabat Mater