REVIEWS AFTER MAŁGORZATA WALEWSKA’S PERFOMANCE IN W. ŻELEŃSKI’S GOPLANA AT THE POLISH NATIONAL OPERA

“… The biggest stir amongst the audience was caused every time Małgorzata Walewska appeared on stage, she mastered the character of her role with perfection. She was once a venal mother, who wanted to ensure her daughters with a better fate, than a miserable woman who could not understand how she could renounce Alina on the basis of mere slander. Like a great tragedienne she announces the horrible end, by demanding from Balladyna that she pulls the band of her forehead. Every word in her singing was equally significant and important.” Wojciech Giczkowski
http://www.teatrdlawas.pl/

“… In this situation Małgorzata Walewska as The Widow comes to the fore. First of all, we understand every word she sings (Possible? Possible!), at the same time she brings to the stage a focus and a subject and she knows perfectly well what her character has to attend to. Even every passage she makes on stage is marked with meaning and sense of why and with what she appears on stage. Vocally she is also flawless.” Wiesław Kowalski
http://www.e-teatr.pl/